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untitled
2009.07.21
this is actually the side of a window on a building. I wanted to capture the delicit light and the nutural tone of the sculpture. I turned the color image to black and white, then added a sepia tone. To me, the sepia tone (on some images) imatates a warm sun. Balboa park
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this is actually the side of a window on a building. I wanted to capture the delicit light and the nutural tone of the sculpture. I turned the color image to black and white, then added a sepia tone. To me, the sepia tone (on some images) imatates a warm sun. Balboa park
1
A classic, saturated landscape shot of the backside of one of the curved walk ways at the organ pavilion. Around 10:30 am, Balboa park.
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A classic, saturated landscape shot of the backside of one of the curved walk ways at the organ pavilion. Around 10:30 am, Balboa park.
2
I saw the red/yellow tone with the streaking light through trees and knew it would be a great black and white photograph. the deep blue sky keeps the sky nutural in tone. The lamp stays in the "rule of thirds" area. This side of the building I was exploring is actually very ugly, but the building itself is quite unique.
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I saw the red/yellow tone with the streaking light through trees and knew it would be a great black and white photograph. the deep blue sky keeps the sky nutural in tone. The lamp stays in the "rule of thirds" area. This side of the building I was exploring is actually very ugly, but the building itself is quite unique.
3
I really like the stair-stepping of tones in this one.
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I really like the stair-stepping of tones in this one.
4
I had a hard time pluming my camera to the bell tower, so I shot the photograph with the frame actually wider than what is shown here. When I proccessed the image, I croped it with a straitening tool which then brings the buildings vertical with the edges of the image. Tah-dah!
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I had a hard time pluming my camera to the bell tower, so I shot the photograph with the frame actually wider than what is shown here. When I proccessed the image, I croped it with a straitening tool which then brings the buildings vertical with the edges of the image. Tah-dah!
